Matthew Chase Ltd.

Gallery Updates

Writings created by Matthew Chase Ltd.


December 2, 2005

Notoriety or Obscurity - The place of marketing in the world of the artist

Dear Client:

Since I began studying the careers of various New Mexico artists, it has been interesting to me that artists with similar talent, training, and experience ended their careers with such different results. Let me give you two examples.


Eanger Irving Couse gained fame and fortune as an artist. Born in 1866, he had from childhood a desire to be an artist. Studying at the Chicago Art Institute and The National Academy of Design in New York, he honed his techniques and his artist's eye. Moving to Taos, he fell in love with Northern New Mexico and painted there the rest of his life, making a living as a painter.


Sheldon Parsons was born in the same year as Couse. He also studied at the National Academy of Design, with well know figures such as William Merritt Chase and Edgar Ward. Early in the 20th century, he also migrated to Northern Mexico, settling in Santa Fe. From that day forward, he painted the vistas of New Mexico. Parsons worked every day as a painter, but also supported his family in other ways, the most notable being the Director of the Museum of New Mexico.


With such similar backgrounds, why was one recognized throughout the American art world during his lifetime, while the other was known only locally? Why did one artist's paintings command high prices and the other's substantially less?


It is well known that in the early 1900s, the Taos Society of Artists was formed for the specific purpose of marketing the works of a number of Taos artists. The TSA put together shows of their works that traveled the country, showing at major galleries and venues. With this notoriety, the fame of each artist grew, along with the prices for their works. Each show garnered reviews in major newspapers and magazines. With this recognition, well known galleries in major cities had one-man shows and promoted the artist's work. Some of the TSA artists stature grew more than others, but all became well known and sought after. Couse was put on the national map by this marketing of his works.


Sheldon Parsons had no such vehicle as the TSA. Many would argue that he is as accomplished a painter as Couse, but did not have the ability of entree to sell his paintings of New Mexico across the country (even though in early life, he was a sought after New York portrait painter, painting President William McKinley and Susan B. Anthony). As a result, he was content to paint for the local clientele and support himself by other means. No one took up his cause to interest the public in his work. He was left to selling his paintings at the Governors Palace in Santa Fe and to tourists.


Today, Couse is still very well known. His paintings on the market are scarce and command six figure prices. Sheldon Parsons is finally coming into his own and being recognized for his abilities at long last. There are several reasons for this.


First, the robust Western Art market is now recognizing his ability to put on canvas and board the beauty of Northern New Mexico, with a style all of his own. Second, galleries understand that for years he has been overlooked as a great talent and are making their clientele aware of this artist's work and its place in fine collections. Third, with the scarcity and high prices of the TSA artists, collectors are searching out other artists of the period with talent and attempting to acquire their work before their fame increases their prices in similar fashion. Finally, the general art market for the last six years has out paced the S&P 500 stock index by almost double. Investment dollars as well as collecting dollars make art more attractive as an investment vehicle, further driving demand for "up and coming" artists.


We at Matthew Chase Ltd. believe in the abilities of Sheldon Parsons and other similarly situated artists. If you have not yet added his work to your collection, please give thought to so doing. The prices for his works are on the rise and today, many of his best paintings are still available.


The gallery currently has works by both Parsons and Couse available for purchase. As always, our inventory can be viewed on our web site. Matthew and I are available to discuss questions this letter may have raised. Of course, we are pleased to be of any service you may need. Thank you for your time and best wishes in your collecting.


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